In early 1900, Stone opened a professional photography studio on the third floor of the Sheldon Opera House. He quickly began making a living producing commissioned studio portraits for local town and business people and for the growing Colgate University. Indeed, by 1902, he was listed as the official class photographer for the University in a Salmagundi advertisement.2
Edward Stone’s career spanned 50 years and innumerable changes in technology, culture, and everyday, small-town life. He — and his camera — witnessed: the post-fire building boom in the village; the installation of electricity as glass bulbs were strung overhead on public streets; and the rise of the railroad and its subsequent decline with the growing popularity of the automobile (he himself was particularly fond of Buicks). He documented central New York foodways, from filling the silos at Betts’ farm to workers at Lee’s Canning Company to the Hamilton milk station and village storefronts full of early 20th-century produce.
He photographed numerous iconic campus buildings as they were constructed, renovated, and sometimes demolished, including Memorial Chapel, Lathrop Hall, Huntington Gymnasium, and Eaton Hall. He recorded the first delicate rows of Russian willow saplings along the Willow Path and many subsequent replantings. He captured images of soldiers training on Whitnall Field during both World Wars.
The editors of the 1951 Salmagundi, which was dedicated to “Ed,” spoke fondly of a relationship that had lasted 50 years. “You have been a friend to Salmagundi staffs ever since you opened your studio for business in 1900. Your loyalty and desire to serve our continual whims is by far, no mean accomplishment.”